One of the good things about taking a break from twitter (apart from the removal of a deep sense of sadness and constant outrage) is that when you return you might find a few people with nice things to say about your book.
As a rule I don’t read reviews of my own work. The book is done, or at least I’m done with it, so the review isn’t for me, it’s there to help give readers an idea of whether or not the book is for them.
(While the above is true and what I think about reviews, the real reason I don’t read them is because even thinking about reviews gives me anxiety. So it’s a good thing that I’ve got an amazing and supportive partner who can read reviews for me.)
So below are some pull quotes from, and links to, some recent reviews. Thanks to Marlee for the quotes. I like knowing that people out there both get and enjoy what I was trying to do with Repo Virtual.
I really enjoyed the focus on loving character relationships in Repo Virtual. It shows how cyberpunk is actually evolving. What was great about, say, Case and Molly’s relationship in Neuromancer was they clearly had an attachment to each other that went beyond just physical, but they were so alienated from the world and from each other that ultimately it could never work; I liked that and thought it made a powerful statement about how capitalism ultimately alienates us from our fellow humans. Corey J. White is saying something different, that despite that alienation we are still human and woe betide any CEO whose profits supersede our humanity.
If this book is anything to go by, I feel like the tone of modern cyberpunk may be shifting too? I hope I’m not misplaced in glimpsing a tiny shred, if but a kernel, of hope in the modern genre.
For a genre awash with such advanced biotechnology it really shouldn’t have taken this long for it to start exploring ideas around gender identity. Thankfully Corey J. White has dragged cyberpunk kicking and screaming into the year 2020 and with it he’s also consigned a bunch of the shittier stereotypes of the genre to the dustbin of history.
—Jonothan Pickering at Parsecs and Parchment
Readers of White’s Voidwitch series (starting with Killing Gravity) know that White hits the action beats and rings those changes well, and he takes those skills and puts them into his mid 21st century story with conflicts and set pieces both small and large. From a tense gun standoff, to a pulse pounding chase across the city, when the author turns on the action, the words just flow off of the page.
what really sets this novel apart from most Cyberpunk is its strongly philosophical bent. It sounds more than a little strange to talk about ontology and philosophy in the context of an often pulse pounding SF novel, but White’s novel and its thesis, for lack of a better word, is encapsulated in the sections when the AI starts to swim toward the surface of consciousness, and the debate, and the issues of a new sentient intelligence, and what that means. It is a far less toxic meditation on artificial intelligence, their rights and nature, than in say, the movie Ex Machina, which I kept thinking of as the AI moves from being a pure MacGuffin to being an entity in their own right, with slowly developing hopes and goals of their own. What rights does an AI have? What is the social contract, here? I was not expecting this level of deep thought, as JD and Troy and the AI come to slow understanding, JD and Troy from without, and the AI from within.
Does Cyberpunk still have something to say and to present itself as a viable subgenre for the early 21st century for writers and readers? Repo Virtual by Corey J White proves that the answer is, that eye of the needle can be threaded. It’s difficult to write near-future SF, but White not only manages it but succeeds excellently at it.
—Paul Weimar at Nerds of a Feather
The book really shines when it uses the heist plot to facilitate some fantastic social commentary as well as advance its pretty heavy themes… In many ways, the book reads like a well written political paper more than a story – which weirdly works for me.
—Andrew Mather at Quill to Live
