Recently I was interviewed by Alasdair Stuart over at Tor.com. Alasdair is behind Escape Artists (the family of SFFH podcasts which includes Escape Pod, Pseudopod, Podcastle, and Cast of Wonders), and the magazine Mothership Zeta… in other words, he knows his science fiction well. This comes across in the interview, with Alasdair asking a number of great, in-depth questions that gave me a chance to delve into a lot of the stuff that was going on in the background while I was writing Killing Gravity.
AS: What sort of aesthetic do these books have in your head? Is everything high tech and advanced, or we talking crunchy switches and Logan’s Run? I get a little of everything.
CJW: It’s definitely varied within the world, depending on a character’s personal preference, the level of tech they can afford, and environmental factors. I kind of think of it in terms of mobile phones—back in the day I could walk down the street, tapping out a text message on physical buttons without looking at the screen and the message would come out perfect, but if you try the same thing today with a smart phone, you either end up with a gibberish message, or you end up walking into someone/something. So as much as people want the Minority Report-style holographic interface, for certain people and/or at certain times, you need physicality. After all, in Minority Report, the fancy display is useless without the wooden balls laser-etched with premonitions.
With the release of Killing Gravity (oh, yeah, that came out this week), I’ve had some new interviews come out.
First off, I was interviewed on the Start Writing podcast, which focuses on the craft of writing and other questions about marketing, publishing, and selling books both in traditional publishing and indie publishing. Check out the interview here. (NB: I took cold & flu tablets to try and minimise on audible sniffles, and kind of underestimated how jacked up I’d be between the meds and nerves… so if I talk WAY too fast, you know why.)
I was also interviewed by Paul Semel, largely about the influences that went into Killing Gravity and what’s in store for the future. Check that out here.
Also, here’s a thing that happened – my box of complimentary copies of Killing Gravity arrived (just in time to be boxed up with the rest of my books for my house move. Yes, it’s been a busy goddamn week.)
Have you read any of Steve Aylett’s books? Have you even heard of the man? Possibly not, so let me evangelise at you about Steve Aylett’s Beerlight books. Over at Tor.com, I give a run down of each of the Beerlight books, providing some choice quotes, and detailing some of the great science fiction ideas in the books.
Over at Tor.com, they were kind enough to let me wite about five books featuring a collapsing New York City: Jack Womack’s Random Acts of Senseless Violence, Gary Shteyngart’s Super Sad True Love Story, Nnedi Okorafor’s The Book of Phoenix, the comic series DMZ, and Colson Whitehead’s Zone One.
This past week I was interviewed by Stefan over at Civilian Reader about Killing Gravity, my inspirations, and plenty more. Go check it out.
This was my first interview, and I’m keen to do more. I’m looking forward to being interviewed by someone who’s read Killing Gravity, and having a real conversation about it. But I guess that will probably have to wait until after its release.
This year I set myself the goal of reading 52 books, where a ‘book’ is a novel, novella, story collection, or non-fiction book. Sadly, I have failed in my quest. Not by much, granted, but I doubt I’m going to finish 5 more books in the next 2 weeks.
I set a couple of rules this year, too. First was no re-reads, because I had so many books I wanted to read for the first time, and I knew re-reads would just slow me down. Second was an even split between books by men and books by women. Of course this second rule made me realise how white my reading was. And also, that binary split potentially allows plenty of non-binary authors to slip through the cracks. Which are two things that I’m going to address in my reading in 2017.
Below the jump, find the lists of all the books and comics I read. The stand-outs are marked in bold, and I’ve added some thoughts on some of them.
I mentioned this just briefly last time, but just in case you missed it: did you know you can preorder Killing Gravity? It’s only early in the book’s push – we’ve revealed the cover, but not an excerpt yet, and I haven’t had a chance to do any interviews (and perhaps I won’t – I’m still a nobody after all). But trust me when I tell you, it’s a good book. If you like the telekinetic carnage of Akira, or if you want a space opera that’s focussed on one small group of people and not a huge fight for galactic control, or if you just really like Tommy Arnold’s cover art, then you can preorder it now. You can find it online at Barnes & Noble, Wordery, Amazon, and the Book Depository.
And, OF COURSE, you’ll be able to ask for it at your local independent bookseller. Any bookstore with a decent range of science-fiction and fantasy will be able to source it, and in fact Powell’s already has it on their site for preorder (Powell’s is an amazing store. Bibliophiles simply must check it out if they find themselves in Portland). For my fellow Australians, any store that carries books from Tor.com’s range will be able to order it in for you – like Readings for instance – but depending on the databases a store uses, they might not be able to find it.
So there you go, my very first proper shill. I’m immensely proud of this book, and I hope it does well… if only so enough people hang around and read the sequel that I’ve been wrestling with these past few weeks.
When I woke up this morning my phone was blowing up with twitter notifications, because the Killing Gravity cover got officially revealed at Barnes & Noble’s SFF Blog.
Click the link, go on, click it. You’ll see the awesome cover, with art by Tommy Arnold, and read a blurb that’s so good I want to read the book. You might also notice that Killing Gravity is due out on May 9th, 2017, and is available for pre-order, which is very cool and weird and another one of those things that makes me realise ‘oh shit, this is real, isn’t it?’.
Over at Tommy’s website he posted a version of the cover art sans title, cover quote and that jerk name, which looks a little something like this:
And Tommy was also kind enough to share some of his working sketches on twitter:
In A and C, you’ll see how Tommy was toying with getting Seven into the art too, which I love. Seven is Mars’ weird experimental cat thing, and a special part of the book for me. In some ways, Seven is the heart of the book – I mean, not really, but pet owners will know what I mean when they read it. She’s vicious and loving and lazy and crazy just like any good cat.