It is to be remembered that all art is magical in origin – music, sculpture, writing, painting – and by magical I mean intended to produce very definite results.
– William S. Burroughs
What results are you trying to produce?
First update is one I’ve already posted about here – the TOC has been announced for the Night, Rain, and Neon Cyberpunk Anthology, including myself, Ian McDonald, Tim Maughan, T.R. Napper, and many many more. It should be a fantastic collection of modern cyberpunk, and preorders are open now – paperback and limited edition hardcover.
Secondly, the cover has been revealed for the Phase Change Anthology, which will feature a story by myself and Andrew Dana Hudson, as well as some other brilliant authors including Greg Egan, Paolo Bacigalupi, Eugen Bacon, Andrew Macrae, Simon Sellars, Cat Sparks, and many more.
I’ll post properly once preorders are up (I think it’ll be a Kickstarter), but the theme for the anthology is really interesting and solarpunk adjacent, so I expect a lot of great ideas and futures in this collection.
Meanwhile, edits continue on SITY. The second draft came in at just under 47k words, and I’m more than half-way through the third draft, which will be the draft I send to beta readers. Trying to be brutal in my cuts to get in under 40k, but I’m also working with pen and paper, so I won’t know until I make those edits in the doc.
[I actually had a great idea on the way back from my walk last night – it’s just a small addition to SYTI, but it has far-reaching and hopefully interesting implications for where I can go with the sequels. Don’t know exactly where the chips are going to fall, but it’s a new bone for my brain to chew on for a while.]
Once that’s off to beta readers I’ll be working on some new projects – most likely picking away at 3 collab projects while deciding which solo project is next. SYTI is the first in a series, and there’s a sequel to OS I want to write, but I also figured out a fresh approach for an idea I’ve been sitting on for years, so I’m newly excited about that. We’ll see what happens. Fingers crossed I’ll land an agent soon and have someone help me make these decisions.
Buddies Without Organs
In episode 3, the Buddies dive deeper into the work of Mark Fisher with help from special guest Amy Ireland. Falling further down the CCRU K-hole, we cover the multi-layered hyperstitional piece “Who’s Pulling Your Strings?”, belief and unbelief, Monarch conspiracies, the numogram, and more.
Amy Ireland is an experimental writer and theorist best known for her work with the technomaterialist transfeminist collective, Laboria Cuboniks. She has exhibited and performed work in Australia, the UK, Korea, China, Canada, and France. Amy currently works as an editor for UK publisher Urbanomic.
This week, the buddies step away from the CCRU (though maybe not too far) and turn their attention to a blogpost Mark Fisher wrote about Stanley Kubrick’s last film, Eyes Wide Shut.
The buddies discuss the film and its representations of sex, desire, ritual, eroticism, conspiracism, and the dreary spectacle of Power.
nothing here newsletter
Latest batch of issues from the NH team.
- nothing here but pirates of socialism – issue 169 – 6th March, 2022
- [BONUS] Red Panda by m1k3y – issue 170 – 13th March, 2022
- nothing here but fossil fuel war – issue 171 – 20th March, 2022
And all the rest
We started a new chemo treatment for kitty after some bad news following the biopsy I mentioned last month. We probably only have a few months left with her, so we’re just going to love her and spoil her as much as we’re able in that time.
Not much else to report, really. Day job, writing, making time to feel like a human person with friends and loved ones. Maybe I should start talking about books I’ve read and movies I’ve watched recently. Maybe next time.
I’ve been spending less and less time on social media lately and I highly recommend it. Twitter is just such an echo chamber of outrage, “hot” takes, and posturing. Every day on there feels like Groundhog Day, but with a slightly different selection of topics and villains. The rare times I do go on there I’m using Latest Tweets instead of Home, and it’s a big improvement, but I still don’t see my engagement with the platform going anywhere but down.
That’s a pretty boring aside, but I mention it in case you need any encouragement to rethink your own sosh usage. If you need more encouragement, I found this quite interesting.
That’ll do for now. Until next time.