Pre-order Static Ruin

Static Ruin cover art by Tommy ArnoldShe killed the man who trained her. She killed the fleet that came for her. She killed the planet that caged her. Now she must confront her father.

Mars Xi is on the run, a bounty on her head and a kill count on her conscience. All she has left are her mutant cat Ocho and her fellow human weapon Pale, a young boy wracked by seizures who can kill with a thought. She needs him treated, and she needs to escape, and the only thread left to pull is her frayed connection to her father, Marius Teo. That thread will take her to the outskirts of the galaxy, to grapple with witch-cults and privately-owned planets, and into the hands of the man who engineered her birth.

Cover reveal at the Barnes & Noble Sci-Fi and Fantasy Blog.

Static Ruin will be released November 6th, 2018 (maybe a little later in Australia) in both ebook and paperback formats. It represents the end of the journey that began with Killing Gravity, so at times it has me sort of melancholy. This is the series that got me published, and put me on the road to making a career out of writing – which is all I’ve wanted for 15+ years. In some ways I’m sad to be at the end here, in other ways I’m happy that I had this shot, and proud of the work I’ve done in these three novellas. I’ll forever be grateful to Carl Engle-Laird for picking KG up out of slush and giving me a shot, and to Warren Ellis for kindly spreading the word in his newsletter, and to every reader who loved one of my books so much that they just had to tell someone about it.


eBook:
B&N Nook | iBooks | eBooks.com | Google Play | Kobo

Paperback:
Amazon US | Amazon UK | Book Depository | Wordery


Brisbane/SEQ – Hit up Pulp Fiction in the CBD. They’ve supported both Killing Gravity and Void Black Shadow, so I have no doubt that they’ll be supporting Static Ruin as well. Also, they’re one of the few genre-specialist bookshops in the country, so if you’re local support them.

Sydney
Galaxy Bookshop should be your best bet at finding my books, as they’re the sci-fi and fantasy specialists in town.

MelbourneReadings is a brilliant chain of indie bookshops. Not sure if they’ll actively be carrying my books, but they’ll be able to order them in for you.

Australia-wide
QBD did a fantastic job supporting me and the other authors at Supanova on my tours.

Otherwise, you can simply ask for your local bookstore to order it in for you. Just quote the title, and the ISBN (Static Ruin, ISBN: 9781250195548) and the staff will do the rest. Well, they probably won’t read it to you, but apart from that, they’ll take care of you.

Continuum, 2018

This weekend in Melbourne it is the Continuum Convention – Melbourne’s Speculative Fiction Convention. I’m doing three panels over the course of the weekend:

In Parallel, Friday, 6pm – Parallel universes: many-worlds, alternative timelines, the one where everyone’s evil and has a goatee. What are the best? The smartest?

Welcome! Everything is Fine, Friday 9:30pm – Discussing The Good Place, comedy afterlives, ethics, moral philosophy and puns.

This Panel is its Own Grandfather, Sunday 4pm – Let’s talk about time travel: the good, the bad, the paradoxical. The works that exist, and the works that have not yet been released in this timestream.

I’ll also just be milling about during the con, so if you see me, please say hi. I’ll be armed with pens and stamps to sign both Killing Gravity and Void Black Shadow, which should also be for sale in the Dealer’s Room.

Philosophy

Another post of mine is up at the Tor.com blog – all about The Ship of Theseus and how it relates to both science fiction, and the science we might hope to access in the future.

I’m a late arrival to philosophy, and honestly, that’s probably for the best. I can imagine that if I’d studied it at university, I would have been completely insufferable. But, thanks to reading the work of Damien Williams (Wolven) and m1k3y, and watching The Good Place, I’ve started to think about various philosophical ideas more and more, particularly in regards to the science fiction I’m reading/watching and in the work I’m currently writing.

I daresay the article I wrote is a very basic, entry-level look at the Ship of Theseus problem, but it’s something I really enjoyed writing.

Funnily enough, a couple of days after the post went up, I finally got around to listening to the then-latest episode of the Imaginary Worlds podcast, which was looking at Westworld and the Ship of Theseus problem. My anxiety is so bad, that as soon as the host mentioned the Ship of Theseus problem I had to skip the rest of the episode in case… I don’t know. Anxiety doesn’t really make sense. (This is also why I skimmed the comments over at Tor once, and haven’t gone back again. I apologise, but my brain is constantly working against me and I’m doing the best I can.) But, in general, the Imaginary Worlds podcast is well worth a listen if you’re a fan of science-fiction, which you probably are if you’re here, reading my nonsense.

Imprisoned


I’ve mentioned previously that a big chunk of Void Black Shadow takes place within a suitably horrific imperial prison. So, when it was time to come up with something for the Tor.com blog, I decided to look into prisons of science fiction and fantasy.

In looking for hints of books I could read for the article, I came across this entry at the sf-encyclopedia. It was of limited value though, skewing heavily toward old white guy books, covering a lot of short stories, and including books that merely mentioned a prison but were not really relevant. I don’t regret reading Ian Banks’ Player of Games as it was my first foray into the Culture series, however, the four paragraphs that mentioned prisons were hardly enough to warrant an inclusion in the encyclopaedia, IMHO.

Another book I read, but didn’t end up using was Charles Stoss’ Glasshouse. I mainly left it out because it had a lot of parallels with Hannu Rajaniemi‘s The Quantum Thief, but wasn’t quite as good (again, IMHO). I would go into more detail, but I wrote a whole heap today, still want to work on some other projects, and would prefer it if my brain didn’t leak out of my ears.

Also – I’m not sure if it’s too late, but the most recent free ebook giveaway from the Tor.com Newsletter was The Quantum Thief, so if you haven’t already signed up, do so now!

On the Road Again…

Last month I was back on the road with Supanova, doing both the Melbourne and Gold Coast shows.

This time around the big literary draw of the tour was Terry Brooks, author of the Shannara Chronicles, and one of the biggest-selling living fantasy authors. That last bit I got from wikipedia, and it’s italicised because I would not have known, because when you talk to the man himself, he is not the sort of braggart who’d talk about that sort of thing. Instead he was kind, good-humoured, sharp, and pretty bloody cheeky when he wanted to be (if he was Aussie, no doubt we’d call him a larrikin).

I have this thing where I never bother to go out of my way to talk to famous people. Partly this is self-deprecating (“Why would they want to talk to me?”) and partly it’s because I’m not really fussed by the whole celebrity thing. So, whilst I was happy to share a table with Terry and his wonderful wife Judine, I wasn’t going to bother them, because they’re busy people, probably worn out from all the travel and signing and all the rest. But, well, I’m glad Terry was having none of that, because some of the best times I had over those two weekends was simply chatting to him and Judine about books, movies, writing, and whatever else came up.

And beyond how great it was chatting to them personally, it’s also great to meet an elder statesman of SFF and find out that he’s just a really warm and friendly person, who seems genuinely interested in his readers, and in those writers who are still up and coming. (Similarly, everyone knows George R.R. Martin thanks to Game of Thrones, but it wasn’t until I travelled to Worldcon in 2016 that I realise how generous he is with his time [and money]. He’s a champion of diversity in SFF and genuinely cares about the field and where it’s going.)

Speaking of up-and-coming, also on the tour were Maria Lewis and Lynette Noni, who are both doing great things in fantasy. Maria is a fierce proponent for diversity (even when that means making it harder to shop around the rights for her own book), and shit, she’s just fierce in general. I feel like Lynette is going to be a really big deal in fantasy one day – and that’s simply based off the sheer number of fans she has already when her first book only came out at the start of 2015.

Also on the tour were Keri Arthur and Ian Irvine, who I also had the pleasure of Supanova-ing with last November. They’re both titans of Australian fantasy… who you may never have heard of before because that’s kind of the way it works here in Aus. Write 20 or 30 or 40 books, become a New York Times Bestseller, but if you’re writing in the genre ghetto, the Australian scene simply doesn’t care. Anyway, they were both fantastic to chat with, just like last time (and I’m seriously jealous of Ian’s deft way with naming books).

 

And I got to catch up with Marc and James Lindsay on the Gold Coast, who were selling their Perigord and Plato Wyngard books. They’ll be at Sydney Supanova, so be sure to swing by and say hello.

Anyway, I had a great time on tour. Really thankful to Supanova for getting us genre authors involved (and inviting me along), huge thanks to the volunteers who help us out all weekend, and thanks also to the QBD staff who do a great job of keeping our books in stock and visible.

 

The Long Walk

Recently the kind folks over at the Tor.com blog asked me to write about a classic piece of science-fiction that I’d discovered only recently. My first pick was Samuel Delaney’s Dhalgren, but after I read William Gibson’s brilliant foreword for a recent edition of the book, I didn’t know what else I could possibly say.

I ended up writing about Stephen King’s The Long Walk – written under the pseudonym Richard Bachman. I don’t quite know how I avoided reading any of King’s books before I reached my 30s, but I did. But after I cracked open The Long Walk, it didn’t take me long to see what all the fuss was about.

Read the full post here.

Dedication

Dedications can be difficult to write. Acknowledgements aren’t exactly easy either, but you can ramble on there if you need to, but a dedication needs to be succinct. One or two names, maybe an extra couple of words.

I can’t remember where it was that I heard this, but when I was thinking about the dedication for Void Black Shadow someone, somewhere, said that if you’re struggling to think of who to dedicate your book to, think of the person who that book wouldn’t have been possible without. This stuck with me, partly because it’s exactly what I did with Killing Gravity. Killing Gravity is dedicated to Ella, my cat, because without her Mars never would have had Seven, and if Mars didn’t have Seven, it could have been a very different book… maybe a book that no one would have wanted to publish. She’s sitting on my lap right now as I write this – a fiercely independent (ish), apex (ish) predator who may, on occasion, choose to bless you with her presence. I think that’s why we love cats so much (those of us that do, anyway) – they make it very apparent that they don’t need you, so any attention or affection they give you feels earned…

With Void Black Shadow though, it took me a little while to realise who it should be dedicated to. It’s not much of a spoiler to say that part of the book is set in a prison, and I kind of went back and forth on what sort of prison it should be. A part of me wanted to make it Prisoner-esque, but that simply wasn’t going to work for the sort of universe I’d created. Slowly it occurred to me that there were some modern, real-life concerns that I wanted to touch on in the book.

There’s a large section in the middle of the book that took direct inspiration from Gregory Whitehead’s audio piece titled On The Shore Dimly Seen. I can’t recommend it highly enough, though be warned – it’s based on the leaked documents pertaining to the “no-touch” torture techniques used at Guantanamo Bay, and as such, it’s not easy listening.

You may be wondering then, why I didn’t dedicate the book to Gregory Whitehead. Well, there would be no On The Shore Dimly Seen without the documents that Chelsea Manning leaked, at grave personal risk. As haunted and affected by OTSDS as I was, Whitehead didn’t risk everything to create it. He didn’t spend time in prison for it. He didn’t have to endure the court of public opinion whilst going through what must surely be one of the hardest parts of a person’s life.

I don’t know that Chelsea Manning is necessarily a hero, and I certainly don’t think she’s perfect (or that she should be vehemently condemned by The Left* for any imperfections), but I do think she held a mirror up to us in the West and showed us for the disgusting, hateful, inhuman beasts we can be. That we are. That takes strength. That takes honour.

So, Void Black Shadow is dedicated to Chelsea Manning. Though with everything she must have gone through before her sentence was commuted, I hope she never reads it.

 

*I’m a total left-wing pinko, but sometimes we seem to eagerly inhabit the stereotype that others constructed about us.

Real Life

I can’t remember where I came across Real Life Magazine. I’ve searched through my email inbox, but it’s not exactly a distinctive name now, is it? Let’s just say that I had a fever dream one night in January 2018 about a website publishing thematically-linked articles each week featuring interesting pieces by a wide variety of authors. Authors who manage to write work that remains compelling, even if you aren’t necessarily interested in the topic at hand.

In my dream these shapes formed over my head like a cascading, oozing monstrosity from the fifth dimension:

 

 

R̸ͤ̆ͩ̓҉̱͇̮̳͖̻̫̭͓̕ ̷̸͍͈̺̾ͦ̿̍̽̓̌͌̀ͣ͂̏̅ͤE̴̢̘̺͇̤̖̭̫͎͖͒ͥͯͭͪͭ̓̾ͮ̄͆ͤ̉ͧ̃ͨ͟͝͡ ̶̡̯̰̜͍͚̟͔̯̙͔̉̓ͨ̓ͫ͗ͪ̑̚A͚͇͇͈̤̜̥͍̝̩̥͎̭ͪͯ͌̒̎̚̕͞ͅ ̷̨̩̜̙ͪͮͪ̍̄ͣ̍͛́͘Ļ̸͙̲̘͎͕̮͎̭̮͇͑̐ͫ̎̿̓ͬ̑͟͢ ̷ͫ͌͊̀̐͜҉͉̩̞͕̝̠͙̮̫̞̤̣͉L̨̞̲̜̩̖̯̟̘̳ͦ̂̍͛̿̆͊ͥͯ̎̑ͣͫ͑ͥͮ́̕͡ ̶̡̠̪̲͇͖̖͈̜̱̭̰̮͒͐̃̍͊̂̆͜ͅI͓̺̠͍̹͕͌ͤ́̎͌͑ͥͮ̓͛̄̓́͟ ̵̰̫͇̯̺̥̱̗̙̯̘̩͇̇͋̊͂͞ͅFͩ͊̑̿̌ͥ̀͑̐̉̿̒́̀̚͜҉̼̯̩̱͈̘̣̗̬̻̪̦͍͉͕̘͕̲ͅ ͛ͬ̋ͦ͗̅̂ͩ̉̄ͯͬ͑͛ͬ̀҉͍̥̫̰̩̳̼̟̜͉̫ͅẼ̶̬͙͇̟͎̗̗͍̳̙͚̩̮̥̰͕ͤͭͣ̾̋͆̓͐͟ ̶͓̭͉̘̯̟͎̰͙̩̱̥͆̋̂ͥ̋͒ͪ͒͘M̷̮̻͉̬̻̀̂ͩ̒͌̂͊̃̎̀ͩ̂̅ͨ͘ ̡̗͎̪̻̠̳̙͙͔͔͓̹͚̪̫̬̍̓̈́̌́͢͠A̛͉͕͔͔͈̱ͧ̓͗͒̌̊̾͊͠ ̻͓͚̗̭͔̜̞̤̩͚̻͙̝͎͖̘̪̖̄̉ͫͭͤ̃ͦ͛͐ͮ͗̎́͂͗̇͊̀͡͡G̵̢̪͓̖͍̺̟̜̰̭̖̲͎̜̗̘̀͛̈ͫ͗́ͯ̑̊̿͂ͫ̇̄̒̐ͬ̚͘

 

 

Risking my sanity I decoded the hidden message and punched these enigmatic runes into my web browser… and LO, my dream was reality. As I wiped the sweat from my fever-hot brow, I pored over these tomes of timely wisdom, risking my very sanity to bring them to you, dear reader!

Or, y’know, I just came across it via the Republic of Newsletters, and it has consistently been one of the most interesting things appearing in my inbox ever since.

 

Here are some recent highlights:

In an attempt to counteract the narrative in which the slain black man is remembered as a “thug” (recall the protest to the New York Times calling Michael Brown “no angel” in 2014), Stephon Clark, who was shot at 20 times and murdered by Sacramento police in March, is being remembered as a father: candidly sleeping on the couch holding his children or in a formal family portrait his children and their mother. You shouldn’t have to be a “family man” in order to avoid getting slaughtered by the U.S. militia, also known as the cops. The collective shuffle of self-representation of the black family attests to the general attempt to recover the humanity and subjectivity of the desecrated, murdered, and neglected black figure.

In Move on Up, Tiana Reid looks at the idea of the black family, and the ways it has been attacked by everything from President Reagan to pornography, and how this helps to reinforce white supremacist notions that lead to police murdering black people and not only getting away with it, but being aided and abetted by a racist media.

 —
What’s more, the current glorification of the youth activist fortifies the idea that being daring, politically engaged and passionate is a young person’s game. As such, teenagers represent an effort-free do-over for adults. In them, we wistfully imagine our own (best) past selves and enjoy a vicarious thrill in our ability to recognize their heroism, while absolving ourselves of the responsibility to participate. Close to half of Americans don’t show up to vote: the bare minimum of political engagement in a democracy and an action that could have a profound effect on everything from environmental protections to gun control.

In Children’s Crusade, Rachel Giese writes about the recent mass protests led by American youth, and the narrative that seems to dominate traditional and social media – “The kids will save us” – and how it’s a reductive generalisation that serves little purpose other than othering the youth and giving anyone not in that particular ‘generation’ an excuse for their own lack of political action.

The car has become the opposite of liberating: a dangerous and expensive hassle that has reshaped the landscape in its image, creating isolation and dependency for everyone, with or without one. Families must maintain a fleet of vehicles to complete ordinary tasks within a suburban landscape designed to keep everyone marooned in individualized convenience.
[…]
Cars themselves are no longer portals to the unknown, to be customized at the owner’s discretion; they are festooned with elaborate electronics that preclude the possibility of home repair, let alone modification, and they are equipped with monitoring devices that make them fully trackable (and susceptible to being hacked). When young adults get to drive the family car, they are still under the parental thumb, having their speed governed and their location monitored remotely.

I found the beginning and end of Uber Alles, by David A. Banks, to be really interesting, but your mileage may vary on the middle bit. For me it was a re-tread of ideas I’d kinda dived into recently thanks to the (so disappointing that I never bothered to finish it) second season of True Detective, and Who Framed Roger Rabbit? (still holds up extremely well after all these years). It talks about the corruption that went into dismantling the American street car systems in order to replace them with buses and cars, and then to demonise bus patrons in an effort to minimise their use and encourage more car ownership because, y’know, capitalism won’t stop until it kills us all, or we kill it.

Anyway, it’s about “our” (Read: the West’s) relationship to cars, the way they changed the landscape, and the way they – and our landscape – may change further with self-driving cars, and Uber, Lyft, etc trying to kill public transport in the coming years.

Cyberpunk’s Not Dead, But Maybe It Should Be

The below is a quick and dirty manifesto I put together for a writing prompt over at Ganzeer’s Restricted Academy forum. I love a good manifesto – filled with pomp and self-importance, (naive?) idealism, and moral absolutism. I think they rarely stand up to scrutiny, but they’re not meant to, they’re meant to grab people’s attention and put a fire under their arses. It’s meant to get people to think.

So here’s my manifesto titled Cyberpunk’s Not Dead, But Maybe It Should Be. A little half-baked, but it’s something I’ve been thinking about recently. It also ties into one of the books I’m planning – with it, I hope to develop the language and themes of a new SF sub-genre, the same way William Gibson did with Neuromancer and cyberpunk (because, hey, why not aim for the moon, right?). With that background established, here it is:

//

Cyberpunk promised us a corporate-controlled future where, despite advancements in tech, average people would struggle to survive while the rich hid away in opulence. That’s the future we got, but we deserve better.

Inspired by the potentials inherent in CRISPR gene-editing, CRISP SF isn’t post-cyberpunk, it isn’t ecopunk, solarpunk, or cli-fi. It’s a new type of fiction that strives to discard anthropocentric perspectives and replace them with something, anything, else. CRISP SF is about change – it’s about climate change caused by human intervention, it’s about changing humanity into human-animal hybrids to survive radical climate change. It’s about what it means to be human if destructive ideas about “dominion over nature” are finally done away with. It’s about what it means to be human if we consider ourselves simply one part of the hyperobject called Earth. It’s about what it means to be human if we treat the animals, plants, and microbes as our peers instead of as our servants, our food, our raw materials waiting to be packaged, branded, and sold.

CRISP SF is post-capitalist. CRISP SF is post-anthropocentric. CRISP SF is the future.

CRISP SF is about changing our perspective as we change our DNA. CRISP SF is about considering the personhood of non-human animals in an effort to stop the Great Extinction Event we have wrought.

Because we can do better. Because the world deserves better from us.

//

19th September, 2018

Just had an email from someone that caused me to sort of crystalise some of my thinking above. Here’s what I wrote:

There’s no doubt that human-animal hybrids have been present in cyberpunk for decades now (Jeff Noon’s Vurt comes to mind), but that’s exactly the point I’m wanting to make with CRISP SF – getting completely away from cyberpunk’s influence.

Cli-fi is set to become the next big subgenre of science-fiction, but when people slap names on it like solarpunk or ecopunk, I feel like it’s limiting the genre’s strength/reach/uniqueness. The whole punk aesthetic is based on aggressive individualism where buying, making, and/or wearing particular products mark you as belonging to that subculture. Sure, crust punks and the like are completely anti-capitalist, but the rest of us buy our rebellions and our subcultural identities. Cyberpunk itself came about at the height of neoliberalism, and it seems to me that rampant capitalism/consumerism is in the genre’s DNA.

So, with Crisp SF I don’t want to just show ways we might buy our way out of a climate apocalypse, or a way massive corporate spending or trillionaire technocrats might save us, because that is all just more bullshit the failing capitalist system is trying to sell us today. I want to imagine a future that is post-capitalist (or transitioning to it), and where it’s aggressive, forced evolution and mutation that sees “humanity” adapt to a climate changed world, rather than gadgets for purchase, trillionaire technocrats, unpredictable, likely-damaging geoengineering projects, or the abandonment of Earth in some sort of plutocratic exit strategy.

I’m not saying I’ll pull it off, or that the two books I’m currently planning will ever see the light of day, but that’s the challenge I’ve set myself.